- Protected by roof and right-hand muscles (2023-24)
- Overhauled Stories (2023)
- MoCA Busan (2022)
- HoMA (2022)
- MoMA New York (2021)
- Hair is a piece of head 머리는 머리의 부분 (2021)
-
And who has not dreamed of violence?
و منو الما حلم بعنف؟ (2018) - Love before Bond (2017)
- CCA Kitakyushu (2016)
- Drawing From A Play (2016)
- 피나는 노력으로 한 [A Woman Whose
Head Came Out Before Her Name] (2015) - 늘 거울 생활 [Life of Always a Mirror] (2014)
- The Tanks at Tate Modern (2012)
- Some Left (2011)
- Line Wall (2011)
- From the Commanding Heights of
the Earliest Natural Fortification
to the Architectonic Innovations
of the Watch Tower
the Development of Observation Balloons
Satellites
Surveillance
there has been no End
to the Enlargement of Field of Perception
Whether I Know You
or not
Matters Less than
How You Appear
to the Objective Eye (2011) - A Still Window From Two or More Places (2010)
- Haus der Kunst (2010)
- Pieces from 'in the room' (2009)
- in the room (Gallery TPW) (2009)
- Witte de With (2008)
- From the commanding heights… (2007)
- in the room (Project Arts Centre) (2007)
- Rijksakademie Open Studio (2005)
- A-DA-DADA (2003)
(under construction)
Ed Greevy & Haunani-Kay Trask, (left) George Helm, founder, Protect Kahoʻolawe ʻOhana, playing the Waikīkī Shell at a fundraiser for Kōkua Hawaiʻi, 1973, 2022, Gelatin silver print, UV print on acetate sheet, 96 x 74 x 3.5 cm
(right) Save Our Surf (SOS) demonstration at Wāwāmalu, on Oʻahu's east end, 1972, 2022, Gelatin silver print, UV print on acetate sheet, 92 x 74 x 3.5 cm
A Record of Drifting Across the Sea [Busan], 2022, Museum of Contemporary Art, Busan, Korea, “Busan Biennale 2022: We, on the Rising Wave”; curated by Haeju Kim; courtesy of Artist (photo credit: Suin Kwon)